Sindhi Songs Audio

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Hindustani musiceditThe Hindustani music tradition diverged from Carnatic music around the 1. CE. citation needed The practice Vedic times where the hymns in Sama Veda, an ancient religious text, were sung as Samagana and not chanted. Developing a strong and diverse tradition over several centuries, it has contemporary traditions established primarily in India but also in Pakistan and Bangladesh. In contrast to Carnatic music, the other main Indian classical music tradition originating from the South, Hindustani music was not only influenced by ancient Hindu musical traditions, historical Vedic philosophy and native Indian sounds but also enriched by the Persian performance practices of the Mughals. Classical genres are dhrupad, dhamar, khyal, tarana and sadra, and there are also several semi classical forms. Carnatic musiceditThe present of Carnatic music can be traced to the 1. AD and thereafter. It originated in South India during the rule of Vijayanagar Empire. Like Hindustani music, it is melodic, with improvised variations, but tends to have more fixed compositions. It consists of a composition with improvised embellishments added to the piece in the forms of Raga Alapana, Kalpanaswaram, Neraval and, in the case of more advanced students, Raga, Tala, Pallavi. The main emphasis is on the vocals as most compositions are written to be sung, and even when played on instruments, they are meant to be performed in a singing style known as gyaki. There are about 7. Carnatic Music,citation needed with around 3. Annamayya is the first known composer in carnatic music. He is widely regarded as the Andhra Pada kavit Pitmaha Godfather of Telugu song writing. Purandara Dasa is considered the father of Carnatic music, while the later musicians Tyagaraja, Shyama Shastry and Muthuswami Dikshitar are considered the trinity of Carnatic music. Noted artists of Carnatic music include Ariyakudi Ramanuja Iyengar the father of the current concert format, Semmangudi Srinivasa Iyer, Palaghat K. V. Narayanaswamy, Alathur Brothers, MS Subbulakshmi, Lalgudi Jayaraman and more recently Balamuralikrishna, TN Seshagopalan, K J Yesudas, N. Ramani, Umayalpuram K. Sivaraman, Sanjay Subrahmanyan, Manipallavam K. Sarangan, Balaji Shankar, TM Krishna, Bombay Jayashri, T S Nandakumar, Aruna Sairam. Mysore Manjunath. Every December, the city of Chennai in India has its eight week long Music Season, which is the worlds largest cultural event. Carnatic music has served as the foundation for most music in South India, including folk music, festival music and has also extended its influence to film music in the past 1. Light classical musiceditThere are many types of music which comes under the category of light classical or semi classical. Some of the forms are Thumri, Dadra, Ghazal, Chaiti, Kajri, Tappa, Natya Sangeet and Qawwali. Folk musicedit. Group of Dharohar folk musicians performing in Mehrangarh Fort, Jodhpur. Rabindra Sangeet Music of Bengaledit. Rabindranath Tagores Bengali language initials are worked into this Ro Tho wooden seal, stylistically similar to designs used in traditional Haida carvings. Tagore embellished his manuscripts with such art. Dance accompanied by Rabindra Sangeet. Rabindra Sangeet Bengali Robindro shonggit, Bengali pronunciation obindo oit, also known as Tagore songs, are songs written and composed by Rabindranath Tagore. They have distinctive characteristics in the music of Bengal, popular in India and Bangladesh. Sangeet means music, Rabindra Sangeet means music or more aptly Songs of Rabindra. Rabindra Sangeet used Indian classical music and traditional folk music as sources. Tagore wrote some 2,2. Rabindranath Tagore was a towering figure in Indian music. Writing in Bengali, he created a library of over 2,0. Bengalis as rabindra sangeet whose form is primarily influenced by Hindustani classical, sub classicals, Carnatic, western, bauls, bhatiyali and different folk songs of India. Many singers in West Bengal and Bangladesh base their entire careers on the singing of Tagore musical masterpieces. The national anthem of India and national anthem of Bangladesh are Rabindra Sangeets. Bihu of Assamedit. Jeng Bihu dancers at Rongali Bihu celebration in Bangalore. Bihu Assamese is the festival of New Year of Assam falling on mid April. This is a festival of nature and mother earth where the first day is for the cows and buffalos. Second day is for the man. Bihu dances and songs accompanied by traditional drums and wind instruments are essential part of this festival. Bihu songs are energetic and with beats to welcome the festive spring. Assamese drums dhol, Pepahorm usually made from buffalo horn, gogona are major instruments used. DandiyaeditDandiya or Raas is a form of Gujarati cultural dance that is performed with sticks. The present musical style is derived from the traditional musical accompaniment to the folk dance. It is practiced in mainly the state of Gujarat. There is also another type of dance and music associated with DandiyaRaas called Garba. GanasangeeteditGanasangeet message. The songs are usually about Freedom, community strength, patriotism. Due to the British occupation in India, a lot of protest songs about anti imperialismpro socialism have been written in India. Examples Apni Azadi Ko Hum Hargis Mita Sakte Nahin, Ajadee hoyni tor, Kadam kadam badhaye jaa, Vande Mataram, etc. Uttarakhandi MusiceditUttarakhandi folk music had its root in the lap of nature and the hilly terrain of the region. Common themes in the folk music of Uttarakhand are the beauty of nature, various seasons, festivals, religious traditions, cultural practices, folk stories, historical characters, and the bravery of ancestors. The folks songs of Uttarakhand are a reflection of the cultural heritage and the way people live their lives in the Himalayas. Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali, bhankora and masakbhaja. Tabla and Harmonium are also sometimes used, especially in recorded folk music from the 1. Generic Indian and global musical instruments have been incorporated in modern popular folks by singers like Narendra Singh Negi, Mohan Upreti, Gopal Babu Goswami, Chandra Singh Rahi etc. Lavani comes from the word Lavanya which means love. This is one of the most popular forms of dance and music that is practiced all over Maharashtra. It has in fact become a necessary part of the Maharashtrian folk dance performances. Traditionally, the songs are sung by female artistes, but male artistes may occasionally sing Lavanis.